Cast:
Francine Raften: Gertie
Rebecca Rowland Hines: Jezzie
Sarah Kearney: Imogene
Jason Hovey: Arnie
Jay Wesley Cochran: Joseph
Veronica Beatty: Young Gertie
Krispin Wylder: Young Arnie
Nancy Nye: Miriam & Nurse
Bryon Stavens: Nikolas & Doctor
Synopsis: When Gertie receives a fishing pole from her husband on their 50th wedding anniversary—instead of the ring she’d been promised—she begins to consider drastic measures. Encouraged (and occasionally egged on) by her lifelong friends, Imogene and Jezzie, Gertie weighs the pros and cons of finally getting rid of her “problem.”
This dark comedy is filled with laugh-out-loud moments, while also sparking a deeper conversation about marriage, friendship, and aging in our society.
Set in a small Midwestern town in 1993—with a flashback to 1942—the play blends outrageous humor with touching reflections on the lives we choose (or have chosen for us).
Cast:
Luna (adult) - Lulu Kashiwabara
Maria - Eleanor Amoros
Young Luna - Mila Kashiwabara
Alma - Camila Leora
Abuelita (Irma) - TBD
Francisco - Les Ico
Rachel Silver - Laurie Monday
Father Ramon - Enrique Andrade
Jaime - Diego Sanchez
SYNOPSIS: Luna Gomez has grown up in a house laden with her parents’ unresolved grief over the death of her older sister Alma. Alma was nine years old when she died protecting her then three-year-old sister. Alma’s spirit has been haunting and protecting Luna since that day more than twenty years ago. Luna must confront her parents and help them face their loss to set her sister’s spirit and herself free.
AUDITIONS 1/17 - 1/18/2026
Synopsis: The action is set in Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), the outspoken, wise-cracking Truvy dispenses shampoos and free advice to the town’s rich curmudgeon, Ouiser, ("I’m not crazy, I’ve just been in a bad mood for forty years"); an eccentric millionaire, Miss Clairee, who has a raging sweet tooth; and the local social leader, M’Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a “good ole boy.”
Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions, the play moves toward tragedy when, in the second act, the spunky Shelby (who is a diabetic) risks pregnancy and forfeits her life. The sudden realization of their mortality affects the others, but also draws on the underlying strength—and love—which give the play, and its characters, the special quality to make them truly touching, funny and marvelously amiable company in good times and bad.



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